| For as long as I can remember people have | | | | gone by. |
| argued that their particular art is better than your | | | | In doing so they ended up more effective |
| art. Log onto any of the various martial art | | | | fighters and they served to advance their arts in |
| forums and you'll see what I mean. | | | | the same way their forbears did. |
| But is one art better than any other? Should you | | | | However both camps can make terrible mistakes. |
| only train in one art or cross back and forth | | | | I personally came from a traditional karate |
| between a few? | | | | background, I have since trained in many other |
| The answer is "Yes", but lets look at both sides | | | | arts around the world so have some authority |
| of the argument. | | | | when I say this. |
| The Purist - You must train in earnest to gain | | | | Cross training is best undertaken when the |
| mastery of one particular art, you must practice | | | | students has a base to work from. It doesn't |
| it daily. To train in another system will distract you | | | | matter what art (to a point) the student begins |
| from this goal. True. | | | | so long as he (yes ok, or she, but from here on |
| The Cross Trainer - Different arts specialise in | | | | lets assume I mean both) learns proper body |
| different things, take what you need from each | | | | mechanics, he learns to move, to hit, to defend. |
| of these and you will find your own way of | | | | When he has a good foundation then it would be |
| fighting. Also true. | | | | a good time for him to look for ways to cross |
| Most of the traditional arts promote the purist | | | | train and to improve his game. I have seen many |
| attitude. I believe that this is based on two things. | | | | students take up two or three separate arts only |
| 1- Student retention, if the student thinks you're | | | | to become entangle in a web of confusion and |
| the best why would he ever stray? If you are | | | | contradictions, simply because they had no point |
| relying on the income from your classes, than fair | | | | of reference, no foundation. |
| enough. | | | | The Purists run the risk of killing their arts. By |
| 2 - Many arts were developed in order to fight | | | | copying faithfully the actions of a successful |
| for ones life or to be effective against a particular | | | | person, you run a good chance of becoming a |
| style. Family systems were closely guarded, if an | | | | successful person yourself. Just be careful that |
| outsider learned your secrets he may use them | | | | you don't end up becoming a clone. I've seen |
| against you. This is further brought about by an | | | | innumerable debates between purists regarding |
| elitist attitude. Many of the system founders were | | | | the correct thumb placement in a fist, the correct |
| great fighters and highly respected for their skills | | | | angle the knuckles must be etc... All while they |
| and could afford an air of arrogance, they were | | | | could actually be practicing, which is what the |
| proven in combat and often accepted challenges, | | | | people they are imitating did, religiously. |
| how could these people be in any doubt that their | | | | I know not every one takes up martial arts for |
| system is the best. Unless they are beaten. | | | | self defence or combative reasons, these are the |
| This is all well and good, but the founder most | | | | people ideally suited to a purist type art. Take the |
| likely spent his life training and fighting, eventually | | | | art of Iaido, taught on Mondays in the academy. |
| teaching to earn a living. His system will be a mix | | | | Iaido is beautiful, it is meditative and introspective. |
| of his original training, honed by experience, I | | | | Because of it's focus on millimetre perfect use of |
| doubt his art at the end of his life would be the | | | | a Katana, don't expect it to be of any use to you |
| same as his art at the end of his life. | | | | on a Friday night, but if you're interested in |
| Then we have the cross trainers. This saw a | | | | Japanese culture and history, meditation and |
| massive surge in popularity over the last while. Big | | | | focus, it's superb. I would equate it to speaking |
| names like Geoff Thompson and the like openly | | | | Latin, lovely to do but essentially useless in the |
| advocated adding in judo and Greco roman to | | | | real world. |
| their karate foundations, grappling and floor work | | | | Compare that to Kenpo or eskrima, still both |
| soon followed. Then there was the explosion of | | | | technical arts, eskrima especially has a strong |
| the Ultimate Fighting Championship, that owes a | | | | Filipino culture reflected in the training. But both |
| nod to the ancient Greek pancration tournaments. | | | | have an eye firmly on real world self defence. |
| The UFC and similar events have sparked an | | | | Then there's kickboxing and Muay Thai, both |
| entire generation of martial artists to take up | | | | developed around the ring and governed by rules, |
| both kickboxing and jujitsu. Lads were breaking | | | | by in the name of all that's holy can those lads hit. |
| from their pure martial arts and taking up "mixed | | | | And hitting is the name of the game on the |
| martial arts" with varying degrees of success. | | | | street. |
| So which camp is correct? In my personal opinion | | | | Each arts has something to teach, be it focus and |
| there are no pure arts, each traditional system | | | | control, extreme fitness and conditioning, |
| was developed and tweaked upon by each | | | | systematic destruction of the human body, some |
| successive generation. It is only in later years that | | | | work in close range, other at a distance, some on |
| they became stagnant. People like Geoff | | | | the floor others standing, some with a weapon, |
| Thompson, Iain Abernathy, Ed Parker and more | | | | others not. Take heed of Bruce Lee's immortal |
| may be considered luminaries as they took their | | | | words "Take what is useful" |
| respective arts and made them their own, rather | | | | When it comes down to it are all individuals with |
| than purely imitating their instructors and forbears. | | | | individual tastes and individual requirements. |
| They instead took their teachings and ran with it. | | | | Your training choices should reflect this. At the |
| Looking to other arts only served to give them a | | | | Wild Geese Martial Arts academy, we expect and |
| more complete picture, allowing them to see and | | | | encourage this. Which is why we have such an |
| adjust to fighting against other systems and to | | | | array of classes, from the cerebral to the |
| bring elements of that art into their own. This is | | | | physical, from the martial to the art. |
| no different to the great names of generations | | | | |