| Aikido Breakfalls are for breaking the force of a | | | | buttocks close to the ground, and place one foot |
| fall to the ground without experiencing an injury. | | | | slightly behind the other. Roll onto your back, and |
| On the other hand, ukemi is the ability to receive | | | | continue as before. |
| a technique or fall safely and recover your | | | | Side Breakfalls |
| balance. | | | | You should already be able to perform back falls |
| Learning how to develop good Aikido breakfalls is | | | | before you try to learn side falls, which are just |
| very difficult to achieve. Many Aikido students do | | | | one-armed, one-sided back breakfalls. For |
| not focus on the skill of receiving techniques, as | | | | example, you would fall on your side if the person |
| their main aim is on becoming a good performer | | | | throwing you is still hanging on to one of your |
| of technique. | | | | arms. |
| One of the reasons is that people in the West are | | | | Remember, your arm should be about 45 |
| generally highly competitive. Most of us have been | | | | degrees from your body when it hits the mat. |
| taught to put ourselves first, and that winning is | | | | Immediately after, you should withdraw your arm |
| better than losing. This means that we tend to | | | | to protect your chest or face to block a punch or |
| concentrate more on performing techniques, and | | | | kick. |
| winning, rather than receiving, and losing. | | | | Practise by dropping your legs to on side, and slap |
| This way of thinking is rather egotistical and | | | | the ground with the arm nearest the mat palm |
| selfish, and the art of Aikido addresses this | | | | down at 45 degrees. Your hip, knee and the |
| problem directly. In order to take we must first | | | | whole side of your leg and calf should be flat on |
| give. So by focusing a little more on helping our | | | | the mat. Your other leg should be bent at the |
| training partner, we will in turn be helping | | | | knee, with your foot flat on the ground. |
| ourselves. | | | | Forward Breakfalls |
| In my many travels of Aikido dojo, I have found | | | | Forward Rolls are very important because they |
| hundreds of students that are fairly good at | | | | get you back up onto your feet immediately, so |
| performing techniques. But, most dojo only have | | | | you can continue defending yourself. Before you |
| a couple of good uke, that are good enough be | | | | try rolling falls, you should already know back and |
| used for demonstrations. This is because the goal | | | | side ones. |
| of most students is to win and perform well. | | | | Rolling breakfalls are impressive to watch, |
| You can be different and truly excel at the art by | | | | especially during a demonstration. But they take a |
| looking closely at Aikido breakfalls and ukemi | | | | lot of practice. When your body falls at speed, |
| practise. | | | | you need to protect your head and neck, and |
| By working on your falls a little more, you can | | | | spread the shock to protect your arms and legs. |
| develop to a much higher level. It will give you the | | | | You accomplish this by making your body into a |
| confidence to allow yourself to be of use to your | | | | circle, where your body rolls. The energy is |
| training partner, by not resisting their techniques. | | | | absorbed along the edge of the circle, and nothing |
| This helps their skills and yours, a win-win situation, | | | | gets damaged. Practise on tatami, gymnasium |
| that removes the conflict from the connection. | | | | mats, or wrestling mats. |
| I will briefly look at some of the Aikido breakfalls | | | | Think of your shoulders, arms and hands as a |
| you will learn during your Aikido training... | | | | hoop or a circle. Roll along your extended hand |
| Back Breakfalls | | | | and arm, shoulder, the center of your back, your |
| These are first learned by lying down flat on your | | | | spine, buttocks, legs and feet. You must train |
| back on the mat. Bend your knees, so your heels | | | | your body so it touches the ground all along this |
| are flat on the floor, with arms held palm-down at | | | | pathway each time you do a rolling fall. |
| 45 degrees from your body. Lift your head, with | | | | High Breakfalls |
| your chin touching your chest. This strengthens | | | | Kote-gaeshi Aikido breakfalls are how you escape |
| your neck muscles, and protects your head from | | | | from a very nasty arm break in Aikido or Ju Jitsu. |
| hitting the ground if you fall. | | | | If you don't know how to leap over your own |
| Then, lift your arms up and slap the ground with | | | | arm quickly, and land with a good side fall, your |
| your fingers, palms and forearms all sharing the | | | | arm may snap when someone hits you with a |
| impact. Repeat several times, and breathe out | | | | kotegaeshi throw at full power. |
| each time you hit. When you can do these | | | | The kote-gaeshi fall is not for Aikido beginners, |
| backward slaps comfortably from lying down, | | | | and you need to build up your ukemi skills before |
| move on to... | | | | you even try this. You would start learning slowly |
| From a sitting position, roll back, making sure | | | | and carefully by practising with a partner in the |
| your chin is tucked well in and exhale strongly. | | | | dojo. |
| Slap the ground, and repeat several times. Then | | | | Once you get you used to timing your break fall |
| try from a squatting position with your buttocks | | | | to the actions of someone else, you can then |
| sitting on your heels. Tuck in your chin and curve | | | | practice increasing the power of the move until |
| your spine, and allow your body to roll backwards | | | | you are actually being thrown into the break fall. |
| so your back hits the floor. You should force your | | | | In meeting the mat try to distribute as much |
| breath out sharply, and slap the mat just as you | | | | force throughout your body as possible in the |
| touch it, repeat several times. | | | | most relaxed manner. It takes a lot of practice to |
| Practise this until you can do it without jarring | | | | achieve the correct timing, and allow your body |
| your body, with no feeling of shock. Eventually | | | | to distribute the force. |
| you can try it from a standing position. Stand up | | | | Always practise safely with a qualified instructor in |
| straight, bend your knees and lower your | | | | a training hall and using safety mats! |